Among Top Children’s Book Illustrators — Ananta Mohanta

There’s a strange feeling that comes when someone introduces me as one of the top children’s book illustrators. I don’t think it happened overnight. Honestly, I don’t even remember when the shift happened—from just drawing characters to suddenly becoming “the illustrator” writers recommend to each other.
Maybe it started years ago, when I was sketching late at night, with old pencils and a shaky desk. Or maybe it was the moment I realized that a child doesn’t care how polished a technique looks… they care about the emotion inside it. That’s when things changed for me. I stopped drawing “pictures” and started drawing “feelings.”
And strangely, that’s the part authors connect with most.
What Being “Among the Top” Means to Me
The world of children’s book illustrators is full of incredibly talented people. Some focus on clean vector styles, some paint with bold brushes, some capture magic with soft pastel shades.
My strength, if I have one, is that I don’t rush.
I try to sit with the story for a bit—like you sit with an old friend who’s trying to tell you something quietly.
When a writer sends me their manuscript, I read it more like a reader than an artist. I pause, imagine the kid who’ll hold the book someday, and then I begin drawing with that child in mind.
Maybe that’s why authors tell me, “Your illustrations feel alive.”
And that simple sentence means more than any award ever could.
A Freelance Children’s Book Illustrator Who Works Simply and Honestly
Working as a freelance children’s book illustrator has shaped me in unexpected ways. It taught me patience, taught me how to understand someone’s dream even when they struggle to explain it properly, and—most importantly—it taught me that creative trust is everything.
Most authors I work with come from different countries, backgrounds, and writing styles. But the moment they hand over their story, one common thread appears:
they just want someone who genuinely cares.
No advance payment.
No pressure.
No hidden conditions.
Just honest work and clear communication.
I didn’t choose this approach because it’s fancy or unique. I chose it because I grew up believing that relationships matter more than transactions.
Why Writers Choose Me (At Least That’s What They Say)
Over the years, authors have shared small reasons that make them comfortable working with me. I didn’t plan these things… they just naturally became part of my process.
1. Characters that don’t look copied
I never use templates, never reuse faces. Every child, animal, or creature is drawn like a new person I’m meeting for the first time.
2. Emotional storytelling
Kids respond to expressions more than details. So I focus on showing the soft smile, the nervous glance, the little spark in the eyes.
3. Unlimited revisions after payment
Writers love freedom. I love peace. So it works for both of us.
4. Zero advance
Trust goes both ways. If I ask a writer to trust me with their story, I should trust them with payment.
5. No robotic workflow
Every illustration gets personal attention. It’s not a rushed assembly-line process.
These little things build long-term creative friendships.
What Being a Professional Children’s Book Illustrator Means in My World
When someone wants to hire a children’s book illustrator, they rarely just need someone who draws well. They need someone who thinks in visuals the way writers think in words.
My routine usually looks like this:
I read the story…
Put it aside…
Let it breathe…
Then imagine how a young reader will travel from one page to the next.
The pacing matters.
The colors matter.
The tiny details in the corners matter.
Every page has a responsibility—to make a child feel something, even if they can’t express what that “something” is.
Working With Authors Around the World
One of the unexpected gifts of digital work is that it connects you with people you’ve never met physically but somehow feel close to. I’ve illustrated books for authors from the USA, UK, Canada, Australia, and many other countries.
They all bring their own style of storytelling, and that variety keeps my art evolving.
Some want dreamy atmospheres.
Some love sharp humor.
Some want cultural details handled with respect.
Being flexible has helped me grow in ways I never imagined.
What Makes an Illustration Truly Beautiful?
I’ve asked myself this question many times.
It’s not perfection.
Not detailing.
Not fancy textures.
For me, a beautiful illustration is the one a child remembers without knowing why. A picture that becomes a quiet memory in their mind. A page they point at again and again, even when the book is old and worn.
If my art can create that small moment of connection, I consider it successful.
Still Learning, Still Growing
Being counted among top children’s book illustrators isn’t a sign that I’ve reached some final destination. It’s more like a reminder to stay grounded and keep improving.
Every new project challenges me.
Every new writer brings a new world.
Every new character teaches me something.
And honestly, I like it that way. The day I stop learning would be the day I stop being an illustrator.
If You’re Searching for an Illustrator
If you’re looking to hire a children’s book illustrator who works from the heart, keeps communication open, and treats your story like something precious… I’d be happy to create something special with you.
Illustration isn’t just my work—it’s the way I connect with people, stories, and children’s imagination. And I’m grateful every day that writers trust me with something so important.
To know more: www.anantaart.com
Pinterest: https://in.pinterest.com/illustratorananta/
Behance: https://www.behance.net/ananta-mohanta
Follow me on Instagram: www.instagram.com/ananta_mohanta_


















